For the Friday night of The Photography Show, ICP will be sponsoring The Night of Photography.The Night of Photography features an open bar from 5–7 PM. ICP will welcome all members, alumni, students and friends to join us in the Veterans Room after the Living Room finishes at 5 pm. We look forward to raising a glass together and saying hello to our photo community. ICP also has some tickets available with priority to faculty, alumni and students, and may be able to present Faculty work during the Friday Night.Please register your interest here. If you are an alum and interested in the Living Room, please RSVP here. This will be a fun afternoon and evening for the ICP Community. We hope you can join us.Learn more and become an ICP member here.

This event is free with museum admission.Join us for a guided walking tour of the exhibitions Weegee: Society of the Spectacle, To Conjure: New Archives in Recent Photography, and American Job 1940-2011.About the ExhibitionsWeegee: Society of the Spectacle aims to reconcile Weegee's broad photographic career through an investigation of his focus on a critique of 20th century popular culture and its insatiable appetite for spectacle.To Conjure: New Archives in Recent Photography reimagines what an archive can be or might look like—more than just a means of recuperating the past, these artists utilize the archive as a form for imagining new futures.American Job: 1941-2011 surveys the photographic response to labor organizing and strike activity, race and gender discrimination in labor, organized labor’s role in politics, labor and activism, and the intersection of labor and the social changes wrought by the economic restructurings of the twentieth century. Program Format/Accessibility InformationThis is a walking tour of the gallery; no seating is provided. For accessibility questions or requests, please email [email protected].

Explore ICP’s photobook library during ICP’s Photobook Club, a community meet-up for book enthusiasts, photographers, and lovers of printed images.From 11AM - 12PM, explore selections from photographers Cansu Korkmaz & Allen Frame in celebration of Korkmaz's latest release, Quite a While. At 12PM, Korkmaz will give a presentation on their practice followed by a signing hosted in the ICP Shop.ICP’s reading library contains over 20,000 books and periodicals. The reading room is currently open to the public during ICP’s monthly Photobook Club, to researchers by appointment, and to members during Library Member Hours. Learn more about ICP’s Library here.

This event is free with museum admission.Join us for a guided walking tour of the exhibitions Weegee: Society of the Spectacle, To Conjure: New Archives in Recent Photography, and American Job 1940-2011.About the ExhibitionsWeegee: Society of the Spectacle aims to reconcile Weegee's broad photographic career through an investigation of his focus on a critique of 20th century popular culture and its insatiable appetite for spectacle.To Conjure: New Archives in Recent Photography reimagines what an archive can be or might look like—more than just a means of recuperating the past, these artists utilize the archive as a form for imagining new futures.American Job: 1941-2011 surveys the photographic response to labor organizing and strike activity, race and gender discrimination in labor, organized labor’s role in politics, labor and activism, and the intersection of labor and the social changes wrought by the economic restructurings of the twentieth century. Program Format/Accessibility InformationThis is a walking tour of the gallery; no seating is provided. For accessibility questions or requests, please email [email protected].

Join us in the ICP shop for a book signing and celebration of photographer Cansu Korkmaz' s latest release, Quite a While.About the BookThe book Quite a While explores the idea of forming a new whole from the remnants of destruction by reinterpreting the emotional gesture of ripping a stack of photographs. Torn into a handful of piles by Korkmaz's partner after an exasperated exchange, the photographs are ripped from the center, allowing Korkmaz to repair the images by conjoining the halves together to create new images. The mending process speaks to the perseverance of relationships and an urge to re-contextualize frustrated memories, embracing the irreversible yet formative impacts of wounds. One of many such juxtapositions combines a plate of luscious peaches left in the couples' bedroom in Buenos Aires with a view of their kitchen in Uruguay; Korkmaz alternates the sizes according to the space occupied in her memory, allowing photographs that loomed more largely in her recollection to occupy more space speaks to the complexity of love and attachment and the mind's resilient capacity to reassemble, arrange, and mend.Cansu Korkmaz is a Turkish-born visual artist based in Brooklyn. Her work explores themes of intimacy, memory, and identity through photography and mixed media.Her work has been exhibited internationally at venues such as The Bridge and Tunnel Gallery (in-between, NY), Mixer Arts (LENS’19: Things Seen), Daire Gallery (Cure as Care), ALAN Istanbul, BAU Gallery, The Lives of Others at the International Photography Festival, UFAT (Signals and Systems), and Les Rencontres D’Arles (On the Frontiers of Freedom).Korkmaz has presented solo exhibitions including Mini Çarşı - Mini Market at The Polygon Shooting Gallery in Turkey and Quite a While at SOHO20 Gallery in New York. She has participated in artist residencies at Arquetopia in Mexico, the School of Visual Arts, and Residency Unlimited in New York. During these residencies, she developed her long-term projects KINA and Quite a While, which were later exhibited at Equity Gallery and Gramercy Gallery in New York. She also attended a personal documentary workshop with Arya Hyytiainen at SALT.In addition to her visual pratice, Korkmaz has published four photobooks: Quite a While, SILENCE, Schadenfreude, and Garip Bir Enerjin Var. Her work has been featured in publications such as Musee Magazine, Art Unlimited, Milliyet, Art Critical, Voice of America, VATAN, The Guide Istanbul, Orta Format, Bantmag, and Elele.Allen Frame is a photographer, writer, and curator, based in New York and represented by Gitterman Gallery. He has released four books of photography, including Whereupon (Palermo Publishing, 2023); Innamorato (Meteoro Editions, 2023); Fever, (Matte Editions, 2021); and Detour, (Kehrer, 2001). He is a winner of the 2017/2018 Rome Prize from the American Academy in Rome and CEC Artslink’s Back Apartment Residency in St. Petersburg, Russia, in 2019. He has been the curator of numerous exhibitions, including Locked in the amber of the and, a selection of work by Miguel Ferrando at Embajada Galeria in Puerto Rico; Goodbye, Again at Gala Art Center, Queens; and Luxe, Calme, Volupte at Candice Madey Gallery, with co-curator Antonio Sergio Bessa. He is an Adjunct Professor of Photography at Pratt Institute (MFA) and also teaches at the School of Visual Arts (BFA), the International Center of Photography in New York, and for Strudelmedialive.

Join Harlowe and ICP for The Light of Hope: Exploring the Healing Power of Photography, a groundbreaking symposium at the intersection of art and science, where renowned photographers, artists, and medical professionals come together to explore the profound and very real impact of photography on healing trauma. Featu red speakers include James Rice, Dr. Gene Beyt, David Butow, Cheriss May, Katya Gruzglina, Dr. Natalie Gukasyan, Lynn Johnson, Oliver Halfin, and Ana Rosa Orozco.Through thought-provoking discussions, interactive experiences, and hands-on sessions, we will uncover how photography has the power to document, process, and ultimately rewire our brain to unlock our potential.Join for a single talk, a segment, or the full day of programming. This symposium is designed to meet you where you are—whether you want to drop in for a session that resonates or engage deeply in the full day experience.Image by David Butow

Join us for a guided walking tour of the exhibitions Weegee: Society of the Spectacle, To Conjure: New Archives in Recent Photography, and American Job 1940-2011.About the ExhibitionsWeegee: Society of the Spectacle aims to reconcile Weegee's broad photographic career through an investigation of his focus on a critique of 20th century popular culture and its insatiable appetite for spectacle.To Conjure: New Archives in Recent Photography reimagines what an archive can be or might look like—more than just a means of recuperating the past, these artists utilize the archive as a form for imagining new futures.American Job: 1941-2011 surveys the photographic response to labor organizing and strike activity, race and gender discrimination in labor, organized labor’s role in politics, labor and activism, and the intersection of labor and the social changes wrought by the economic restructurings of the twentieth century.