David Campany is Curator at Large at the International Center of Photography, New York. He has worked worldwide with institutions including MoMA New York, Tate, Whitechapel Gallery London, Centre Pompidou, Le Bal Paris, ICP New York, Stedelijk Museum Amsterdam, The Photographer’s Gallery London, ParisPhoto, PhotoLondon, The National Portrait Gallery London, Aperture, Steidl, MIT Press, Thames & Hudson, MACK and Frieze. Recent curatorial projects include William Klein: YES. Photographs, Paintings, Films 1948-2013 (ICP, 2022), ACTUAL SIZE! Photography at Life Scale (ICP, 2022); A Trillion Sunsets: A Century of Image Overload (ICP, 2022); Gillian Laub: Family Matters (ICP, 2021); Alex Majoli: SCENE (Le Bal, Paris, 2019); The Still Point of the Turning World: Between Film and Photography (FoMu Antwerp, 2017). In 2020, David curated the three-city Biennale für aktuelle Fotografie 2020 – The Lives and Loves of Images (Mannheim/Ludwigshafen/Heidelberg, Germany), working with 70 artists from 13 countries. David’s many books include Indeterminacy: Thoughts on Time, The Image and Race(ism), co-written with Stanley Wolukau-Wanambwa (MACK 2022), Victor Burgin’s Photopath (MACK 2022), On Photographs (Thames & Hudson, 2020), So Present, So Invisible – conversations on photography (Contrasto 2018), A Handful of Dust (MACK 2015), Walker Evans: the magazine work (Steidl 2014), Gasoline (MACK 2013), Jeff Wall: Picture for Women (MIT Press/ After all 2010), Photography and Cinema (Reaktion 2008) and Art and Photography (Phaidon 2003).