Snap Judgements

New Positions in Contemporary African Photography

Photography has maintained a vital presence in African culture for over a century. But the recognition of African photographers and their unique visual language has come about only recently. When Western photography engages Africa, it often evokes pathological images of disease, corruption, and poverty. The global media almost never depict contemporary Africans in ordinary situations; images of crisis frequently eclipse other representations. In response to this partial view that overlooks the complexities of daily life across a vast continent of over fifty nations, Snap Judgments: New Positions in Contemporary African Photography forces a recognition of the contradictory and varied forms of photographic practice that are now arising across Africa.

Snap Judgments highlights a shift away from the commercial studio portraiture that predominated in Africa in previous decades, revealing a new and surprising emphasis on conceptual art, documentary, and fashion photography. Most of the works shown here were produced since 2000. Many were made within the past year, and several were commissioned specifically for the exhibition.

Snap Judgments brings together some of the most forceful propositions by contemporary artists and photographers on how to look at Africa. In so doing, it seeks to demonstrate how artists can use photography as a tool to trace the arc of different social realities. A number of distinct themes run through the exhibition: local responses to the international media and the touristic gaze; framing the African body; identity and postcolonial memory; urban sites; and the machines and institutions of modernity. By posing pertinent questions about the role of images in African public narratives, the exhibition opens the way to unexpected and penetrating insights into a rapidly changing social dynamic.

—Okwui Enwezor, ICP Adjunct Curator

Artists

Doa Aly, Lara Baladi, Oladélé Ajiboyé Bamgboyé, Yto Barrada, Luis Basto, Zohra Bensemra, Zarina Bhimji, Mohamed Camara, Ali ChraÏbi, Allan De Souza, Depth of Field (DOF) Collective, Andrew Dosunmu, Hala Elkoussy, Theo Eshetu, Mamadou Gomis, Kay Hassan, Romauld Hazoumé, Moshekwa Langa, Maha Maamoun, Boubacar Touré Mandémory, Zwelethu Mthethwa, James Muriuki, Lamia Naji, Otobong Nkanga, Omar D. (Daoud), Jo Ratcliffe, Tracey Rose, Fatou Kandé Senghor, Randa Shaath, Mikhael Subotzky, Sada Tangara, Guy Tillim, Michael Tsegaye, Hentie Van Der Merwe, Nontsikelelo "Lolo" Veleko

Past Tour Venues

Miami Art Central | Miami, Florida
June 29–August 27, 2006

Museo Tamayo Arte Contemporaneo | Mexico City, Mexico
February 14, 2007–May 6, 2007

National Gallery of Canada | Ottawa, Canada
October 12, 2007–January 13, 2008

Memphis Brooks Museum of Art | Memphis, Tennesee
February 28–May 25, 2008

Stedelijk Museum | Amsterdam, Netherlands
June 27, 2008–September 30, 2008

Image
A person jumping on colorful floor.
Boubacar Touré Mandémory
Couleurs de Pêche [Colors of Fishing], from the series Capitales Africaines, ca. 2000-2005
© Boubacar Touré Mandemory
Courtesy the artist
Image
Four young women in blue uniforms armed with AK-47s.
Zohra Bensemra
Law-and-order enforcement officers at the Ain Benian police school in Algiers, on the day of graduation of the new self-defence and close combat squad—January 27, 1999, 1999
© Zohra Bensemra
Courtesy the artist
Image
Two young teenage girls in colorful outfits.
Nontsikelelo "Lolo" Veleko
Cindy and Nkuli, from Beauty Is in the Eye of the Beholder, Johannesburg, 2003-04
© Nontsikelelo "Lolo" Veleko
International Center of Photography
Image
A shirtless man sitting on a chair surrounded by bright Christmas decor.
Mohamed Camara
Cactus de Noël 2: Quand je prendrai la place du Père Noël, tu verras. (When I take the place of Santa Claus, you will see.), 2001–2
© Mohamed Camara
Courtesy Galerie Pierre Brullé and the artist
Image
Three men talking among themselves, while a boy behind them stands in front of a wall entirely covered with ladies from The Star newspaper.
Guy Tillim
Ntokozo and his brother Vusi Tshabalala at Ntokozo’s place, Milton Court, Pritchard Street, Johannesburg, 2004
© Guy Tillim
International Center of Photography
Image
A hazy cityscape of identical apartment buildings.
Hala ElKoussy
Peripheral Landscape #1, Mokattam, Egypt, 2003
© Hala Elkoussy
Courtesy the artist
Image
A partially destroyed snapshot of children in the middle of a field looking up.
Allan deSouza
Fountain,from the series The Lost Pictures, 2004
© Allan deSouza
Courtesy the artist and Talwar Gallery, New York
Image
An out of focus soldier's top.
Hentie van der Merwe
Cape Mounted Rifles (Dukes), Bandsman (1913–1926) from the series Trappings, 2002/2003
© Hentie van der Merwe
Courtesy the artist
Image
The roof of a grey building, with someone walking to the edge where colorful clothes were hung up to dry.
Guy Tillim
Al's Tower, a block of flats on Harrow Road, Berea, overlooking the Ponte building, Johannesburg, 2004
© Guy Tillim
International Center of Photography
Image
Someone standing in front of a massive wall of pink hydrangeas.
Allan deSouza
Fountain from the series "The Lost Pictures," 2004
© Allan deSouza
Courtesy the artist and Talwar Gallery, New York
Image
Two people cleaning out the inside of a empty pool, as seen from above.
Otobong Nkanga
Workmen in Pool 1, 2005
© Otobong Nkanga
Courtesy the artist
Image
A man standing in his kitchen, while a white cat next to him cleans itself.
Michael Tsegaye
Untitled, from the series "In and Out," 2005
© Michael Tsegaye
Courtesy the artist
Image
The entrance of an exhibition

Museum

1133 Ave of the Americas, New York, NY 10036, USA
Mar 10, 2006 - May 28, 2006

Special Thanks

This exhibition was organized by the International Center of Photography with lead support from Altria Group, Inc., and the ICP Exhibitions Committee. Additional funding was generously provided by The Andy Warhol Foundation for the Visual Arts, Christian K. Keesee, Roberta and Steven Denning, Eni S.p.A., Marjorie G. and Jeffrey A. Rosen, Artur Walther, Association Française d'Action Artistique, Robert Scully and Nancy Peretsman, Meryl and Robert Meltzer, Andrew and Marina Lewin, Jane K. Lombard, Prince Claus Fund, the Government of Flanders, Mondriaan Foundation, Pamela and Arthur Sanders, and the British Council. Support for the exhibition catalogue has been provided by the Elizabeth Firestone Graham Foundation.